I love these stories from Tallis Steelyard and the amazingly beautiful paintings that always accompany them.
This story, , is the second story in this collection of stories about the art exhibition Tallis and his friends create for their friend, the artist Andeal Willnoton Quillabin. Who, in their opinion, was not as well regarded as they thought he should be.
The Gnome is the nickname for the artist’s muse, model and assistant. A very small woman, hence the nickname, but a force to be reckoned with…
Not many people know why Morri was nicknamed The Little Gnome. Some thought it referred to her size and it‟s true that she‟s not the tallest of women, but if that was the reason, the name seemed a little harsh. Personally I always had a lot of time for her; there are not many women who have been the muse for two such different men.
It‟s been mentioned before that she was Andeal ‟s muse, model, and assistant. Indeed the whole exhibition had been planned with the idea of producing enough funds to enable Andeal to acquire a house. Hopefully it would be a suitable house, with such fripperies as glass in the windows; a house that would convince her to marry him.
But she had also been the muse of Rargan Grosset. Rargan was one of the handful of living poets that I ever looked up to when I was young. He was a lot older than me, perhaps forty years or more. But he was always generous with advice and praise, and what is more he was not too proud to feed a starving poetaster and many of us dined at his table over those years.
It always struck me as a little sad; Rargan had a body of really fine work. In his youth he had shown himself a master of Zeugma and had done truly wonderful things with the Triadic stepped line. Yet in later life, at the time when I first met him, the springs from which his verses flowed seemed to have dried up.
It was when his elderly housekeeper died that he advertised for a replacement, and Morri applied for the position. He took her in, assuming that she was another waif who needed rescuing, and fearing that if he didn‟t rescue her, she‟d fall into the hands of worse. As it was she rescued him. She didn‟t merely keep house for him, she took it upon herself to set his business affairs in order.
I have mentioned that he was generous. Not merely did he feed us, some borrowed money from him to fund artistic projects. One such was Dash Blont. Always a womaniser, at the time he saw that being a published poet would open doors to him. In his case predominantly bedroom doors, but still, I can understand his reasoning. Thus he borrowed a considerable sum from Rargan to publish his unspecified work of poetic genius. Personally I suspect that he borrowed as much as he did because he assumed that Rargan would die of old age before Dash was called upon to pay it back. The elderly find it easy to become creditors.
Having looked at Rargan‟s accounts, Morri decided that Rargan needed the money, so she would get the money back. She wrote gentle letters of reminder which Rargan signed. Dash Blont of course ignored them. She wrote stronger letters which Rargan didn‟t want to sign. It didn‟t matter, she signed them for him, but Dash Blont still ignored them. Finally she arrived at Dash Blont‟s house in person, sat down in his kitchen and explained that she‟d come to collect the money. She refused to leave until it was paid.
Dash tried everything. He tried charming her, flirting with her, cajoling her, but she merely kept carving a block of wood with a wickedly sharp knife.
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